Shape show

| Bendigo Weekly | 12-Apr-2011 4.36

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By Rosemary Sorensen

 When a potter’s work becomes almost instantly recognisable, you know there is something out of the ordinary.

 Phil Elson’s glazed bowls are just so: you see one and you know it is the work of this Castlemaine artist. His shapes are delicate yet functional, almost perfectly symmetrical but with just the hint of an off-kilter lean, so your eye roams around and inside it, trying to find a place to rest.

 But they are still bowls: beautifully functional.

 A recent stay in Barcelona, thanks to an Australia Council residency, has resulted in a suite of works where functionality has been almost entirely subsumed within a passionate desire to give form to his perception.

 The works currently on show at the Castlemaine Art Gallery not only sit with heart-breaking poise atop pedestals that defy any intent to see them merely as bowls, but in several complex groups of shapes, these objects become receptacles of ideas and emotions. The idea that they could be used for your porridge seems most far-fetched.

 Elson’s show is called “Along the horizon from Barcelona to the Basque”.

 When he headed to the Spanish city where old Catalan meets the imagination of Gaudi against the backdrop of super-contemporary architecture, Elson intended to spend his three months researching and immersing himself in the aesthetics of Basque ceramics. What he didn’t expect was to be seduced so completely by the skyline of Barcelona.

 The shapes he saw from various vantage points are present in his groups of vessels, some in brittle egg-shell porcelain, others in his characteristic two-tone glazes, extraordinary colours that defy descriptions but seem both magic and earthy at the same time.

 Occasionally, in these mesmerising groupings, a bowl remains stubbornly a bowl, lovely, but somehow out of place on a pedestal in an art gallery. But mostly, these are vessels that belong in a space where you can circumambulate, peer close, step back and think about how cities sit in space, mostly in ugly jumble but sometimes sublimely.

 Elson’s show sits in the middle of a crowded room, the walls of which display three contemporary Australian-Scottish painters. This is part of director Peter Perry’s busy exhibition which looks at the Scottish influence on Australian art, which includes work by Ian Fairweather and Hugh Ramsay.

 Of course space is a problem in this fine little gallery, and it would have been so much better to see Elson’s works in isolation, in a room where they don’t need to compete with what is quite hectic painting.

 Still, cities are like that too, so maybe this crowded space is not against the grain of this show.

Phil Elson: Along the Horizon from Barcelona to the Basque, at the Castlemaine Art Gallery, until May 8.
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