Captain America – The First Avenger

Anthony Radford | Bendigo Weekly | 05-Aug-2011

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THERE is an unusual and a disturbing component of the big screen comic adaptation of Captain America.

Unusually, it does not become apparent until the very end that this is a franchise with more chapters to come.

Disturbingly the screenplay writers Christopher Markus and Stephen McFeely insert a dramatic kiss between the leads in this most inappropriate moment of the film – detracting from the project’s admirable entertainment value.

To its credit, the movie manages to confine the US flag waving and chest-beating to a manageable level which is commendable considering the original comic character was invented during World War II specifically to target American patriotic fever when the country was faced with the horrors of the Axis powers.

Director Joe Johnston does justice to the character, producing a project that is more war movie than superhero adventure.

Perfectly cast, Chris Evans (Fantastic Four fame) stars as the puny New Yorker Steve Rogers who is transformed by scientists into a super soldier with the strength of eight tough guys.

While Rogers fights the Nazis, the writers pit him against arch villain Johann Schmidt who later becomes Red Skull. Aussie Hugo Weaving nails the evil character.

Supervising art directors John Dexter, Chris Lowe and Andy Nicholson cleverly shy away from the over-bearing swastika emblem as they adapt the Nazis symbol to a stylised version to represent a break-away sect created by Schmidt and his cohorts.

The team of eight art directors is also responsible for wonderfully futuristic weaponry and industrial technology.

Like the second incarnation of the Batman franchise, Captain America is purposely dark and dirty, adding to war movie feel.

Cinematographer Shelly Johnson heavily relies on low light filming whether it is in 1940s New York or the forests of war-torn Europe.

The film’s battle scenes are extraordinary, combining sci-fi weapons set against the old-fashioned WWII European theatre of conflict.

Sarah Finn, Randi Hiller and Priscilla John’s casting is a winner – using a group of big names like Tommy Lee Jones, Stanley Tucci and Samuel L Jackson and adept character actors including Toby Jones as the Red Skull offsider Dr Amim Zola.

Hayley Atwell as Captain America’s love interest Peggy Carter is also a good choice and as an English character, she is the perfect foil for the empathetic but powerful Captain America.

Atwell and Evans cannot be blamed for the ridiculous screen kiss when Captain America faces imminent death – as if!

Unlike the majority of my fellow moviegoers, don’t leave as soon as the credits roll as there is a bonus scene and trailer for the next project in the franchise.

Captain America is impressive and is one of the best comic book adaptations. While I understand Chris Evans reluctance to initially take on the role of the superhero, especially after already playing another and the prospect for being tied to the character for many years to come, I am glad he relented, as he is the king pin to the film’s success.

7 ½ stars out of 10

b.Entertained

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