Beijing Boom

| Bendigo Weekly | 10-Jun-2011 3.16

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Sometimes it’s fun to stumble upon art unexpectedly, with no expectations.

Actually, it’s the best way.
I was at Latrobe VAC attending a talk about something else when a screen caught my eye, en route to the buffet.
Instead of yacking to others who were also there to listen to artists yacking about their work, I stood munching through the contents of my plate with my eNo fixed to a screen that had some very weird creatures running all over it.
Little cartoon figures jogged through a colourful, 2D animated landscape.
First they had heads made out of  bottoms (I think they were supposed to be pears), then they became rockets farting fire and smoke at each other as they rose into the sky. It was very funny.
Two of them even kissed! (Pears & Aliens, 2008).
Next came another animation where the figures had Rubik’s Cubes for heads and played table tennis. (Magic Cube & Ping Pong, 2010).
They seemed to be trapped in some kind of industrialised computer game dystopia – think Fritz Lang’s Metropolis meets 70s video-game Pong.
There’s a neat reference to Pink Floyd’s The Wall in there as well.
The storyline eventually transforms when two of these creatures meet and fall in love. Both films are by Chinese animator, Ray Lei, a favorite of international film festivals as it turns out.
They’re part of an exhibition called Arena: A Post Boom Beijing, described in the catalogue as “a survey of contemporary documentaries and video from China’s cultural capital Beijing”.
Curated by artist Dr Laurens Tan, the exhibition offers “views of a society undergoing a frenzy of change since the 2008 Olympics and the Global Financial Crisis”.
It does indeed.
I managed to recruit some others to come look too. Soon three of us stood side by side in front of a row of TV monitors that held further video riches.
Beijing Ballet (2010) by Lismore-born Allan Chawner was a gorgeous exercise in juxtaposition.
An urban street scene on a busy Beijing corner is captured at night on HD video.
People and traffic of all description bustle in and out of the frame.
The genius is in the soundtrack.
The busyness of the images is counteracted by lilting classical music, Debussy’s very recognisable Clair de Lune.
Everyone/thing in the frame dances to the rhythm of not the street, rather the ballet.
The music overlays an organic feel, as if the pictures are choreographed, moving to chaos, surrounded by concrete, pollution and the ceaseless pulse of city-life.
You feel calm watching it.
But Chi-3 (2008) by Nan Hao was the superstar of the show.
Part of the joy of watching it lay in the naughtiness.
It is an act of defiance; a video with a rebel yell at its heart.
A lone man walks into traffic and slowly performs a Tai Chi pose.
Plenty of horns honking. Plenty of cars zooming by, and this guy – with nerves of steel – holds his pose regardless, moving only occasionally.
It reminded me of the man in front of the tanks at Tiananmen Square, and Moses parting the Red Sea.
We witness the artist making his point. Perfectly. Sometimes it is possible to hold back the tide – if you have the courage of your convictions.
What great work. And there’s lots more on show too.
We all left happy we had seen such interesting and entertaining work on a Saturday night, when we could have been at home watching, oh I dunno, the footy, The Fattest Loser or Master Dorks or something…


Arena: A Post Boom Beijing  curated by Laurens Tan finishes this weekend at Latrobe Visual Arts Centre. 121 View Street, Bendigo, open 10am to 5pm. 
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