Saturday night, out in Bendigo, I was a bit shocked for a couple of reasons...

| Bendigo Weekly | 03-Jun-2011 4.16

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Carolyn Teo’s Seedpod show is in Bendigo
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1) I saw Hourglass, one of the best live shows EVER, and,
2) Only a handful of people were there.
Punctum Inc. has been going for a while (it presented and produced Hourglass). I discovered Punctum pretty much as soon as I arrived in Bendigo; a not-for-profit organisation that nurtures the multitude of arty types in our region.
Based in Castlemaine it’s been going for quite a few years (since 2004), auspicing several developmental live arts programs through its limited, hard-fought-for funding coffers.
One is In-habit, a cross-cultural international artist exchange program. The other is Seedpod, a local live arts incubator. Both encourage regionally-based artists – or artists who will benefit from practising regionally – to experiment, develop, investigate and take risks with their artform, in a safe place.
Sometimes that safe place is ICU (Intensive Culture Unit), located in Castlemaine’s old hospital site (where else!) in Halford Street, part of the thriving cultural and regional business hub it has become.
The other main safe house is the Old Fire Station venue in Bendigo. It consistently has exciting and progressive performances on its stage (given its history, hopefully you can forgive my umbrage at the lack of local bums on seats on Saturday).
I’ve been fortunate enough to participate in a couple of Punctum judging panels for recent rounds of In-habit and Seedpod, and I am also commissioned to write about them for their website.
Knowing that the applications were works-in-progress (that is,not fully-formed), likely to be brimming with flaws, possibly even a bit of hubris. I have to say I didn’t have any particular expectations for the Hourglass performance (one of the successful 2011 applicants), other than it be interesting.
And after attending the Hourglass artist talk prior at La Trobe VAC, I was still in the dark; a wee bit passionless at times, moreover the artists gave little indication as to what was coming up across the road in an hour’s time.
I didn’t need to worry. What I saw was spectacular – and a spectacular triumph.
Sensuous, meditative, technically excellent, transcendant, experimental, 100 per cent engaging, beautiful, sad, uplifting, dynamic, musical. Hourglass was a totally immersive and remarkable fusion of art, theatre, music, sound, image, video and lighting. Performed live in a fantastically intimate setting to … just on twenty people.
My hope is that the Hourglass crew are rewarded with much more recognition than we could give them the other night. And a shot at massaging that piece into the bigger one they are aspiring – and are more than ready – to do.
Then! Perform it at an international arts festival, where hundreds will flock to be a part of its audience – which for 20 locals on Saturday, was a very special experience.
Years ago if I had gone to such a great show with such a small audience, I might have said, somewhat exclusively, “Cool, I was there first.”
Not anymore. As I stick with this arts caper – my calling – my firm belief is that we need to be inclusive, and curious. To seek out and support the good artists and art, and to loudly encourage them to keep going. Otherwise they disappear. Quickly. Easily. Into the black hole of ignominy.
And with them goes the opportunity to transform the way we look at the world.
Trust me... I know. Thank goodness for the Punctums of the world. They keep us safe. And inspired.

Carolyn Teo performs Seedpod #2 Saturday June 4 at 8pm and Sunday June 5 at 2pm, The Old Fire Station, View Street, Bendigo. Tickets $10 at the door.
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