THERE is a bonus scene just before the credits in the American comedy Bridesmaids that is so shockingly gross that I involuntarily mentally blocked it and had to be reminded later as to its content.
Like Quinton Tarantino and his use of over-the-top violence, some modern comedy experiments with the same shock value to achieve laughs.
The intrinsic comedy in Bridesmaids relies successfully on coarse situational comedy but also includes an engrossing storyline of the trials and tribulations of two female friends.
The leads, played by Kristen Wiig as Annie Walker and Maya Rudolph as Lillian Donovan, travel a rocky road as the latter prepares for her wedding. Initially Annie is at Lillian’s side as the maid of honour and architect of all the pre-wedding planning required by the role.
However, her position as best friend is challenged by an interloper Helen (played by Rose Byrne).
Initially Annie and Helen vie for top dog position which sets the scene for some hysterical repartee.
Annie Mumolo and Kristen Wiig’s script is innovative. The fast-paced roller-coaster ride holds the audience’s attention for more than two hours without let up.
Much has been discussed (especially by American media) as to the vulgarity of the script which is somewhat hypocritical considering the mindless violence that emanates from US cinema without any criticism or comment.
There is also a sexist undertone to the film’s bad press where values pass if perpetrated by males but are scolded when involving the opposing gender.
An impressive cast takes full advantage of the original script. Wiig and Rudolph nail the leads.
Melissa McCarthy (from TV’s Gilmore Girls and this year’s debut series Mike & Molly) almost steals the show as Megan the no-nonsense bridesmaid. Her comedic input is physical as well as dialogue-based.
Supports are integral to the storyline and none of them let the team down. Notables are Chris O’Dowd as police office Rhodes; Ben Falcone as air marshal Jon; Mitch Silpa as a first class flight attendant and Jon Hamm as Annie’s casual sex buddy Ted.
There is also a minor appearance by Little Britain’s Matt Lucas who puts in a predictable performance as Annie’s landlord Gil.
Production values match the good script and acting performances. Director Paul Feig cleverly corrals the script’s chaos and editors William Kerr and Michael L Sale are responsible for interweaving a plethora of storyline chapters. The editors’ work also complements the actors’ impeccable timing.
Admittedly Bridesmaids does not cater for all tastes. However, if you are able to laugh at the more unpleasant sides of being a human, then this will reward with plenty of mirth.
8 stars out of 10
